Untitled I: Street Art in the Counter Culture; Untitled Vol.1; Untitled II. The Beautiful Renaissance: Street Art and Graffiti; Untitled Vol.2; Untitled II: The Beautiful Renaissance; Untitled Vol.3; Almost Famous Untitled: Boot Cut (W/CD) (Ws) [DVD] [2001] [Region 1] [US Import] [NTSC]; Untitled/Unissued; Untitled Sookie 11: A True Blood Novel; Untitled (People & Dolphins), 1983 Keith Haring Art 60x80cm Art Print; Inferno Club Untitled 3; Untitled; Untitled 3; Untitled Vandal(Ism) # Finale – Graced The Beautiful Day [DVD]; Untitled Spenser Holiday Novel (Spenser Mystery); Untitled on Empathy Erosion; Korn: Untitled; Untitled #2 [Explicit]; Untitled Julia Quinn 2; “Untitled” Mixed Media Artwork by Gilmore; Untitled on Democracy and the Internet; Untitled Essays; Untitled: +DVD; Untitled; Untitled; Untitled Wiliam Brodrick; Untitled #23; Untitled Rankin 2 of 2; Untitled Composition 1 [DVD]; Untitled 2; Posters: Keith Haring – Untitled Art Print (50 x 120 cm); Untitled; Untitled Vampire Federation 2; Untitled Amanda Quick 2 (Arcane Society Series); Untitled 15; Untitled; Untitled; Iain Gale WWII Untitled 1; Bathory (2008) ( Untitled Juraj Jakubisko Project ); Untitled 5 Song Ep; Untitled Elizabeth Chadwick 2011; Photographic Print of Untitled 49.jpg from Mirror Photos; Cindy Sherman: The Complete Untitled Film Stills.
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Montage
Soundtrack: dark, ethereal goth male vocal over echoey guitar soundscape with heavy synth melody.
Busy city street, night. Blue filter. Male character wearing long dark overcoat, collar turned up, head bowed, crosses street and walks towards camera. Taxi breaks, horn beeps. Hand raised in acknowledgement, steps back to allow taxi to pass; quickens pace, continues across street. Fade out.
Fade in. Tracking. Walking along pavement. Vivid reflections in shop windows of other people on the street. Split screen. On left, a continuation of previous tracking shot. On right, a static one of the reflections of passers by over the display in a book shop window. Cut.
Walking up stairs to apartment. Camera remains at bottom of well, cut when out of shot.
Cut to inside of apartment: checks messages on answer machine, throws keys in bowl and jacket on floor. Panning, following to kitchen. Cut to three quarter view of refrigerator. Apart from condiments and a carton of orange juice the refrigerator is empty. The door is not shut properly and swings back open after character walks away. Linger on crack of light. Sound of toilet flushing. Fade out.
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Detox
- installations loop footage to divulge and liberate the charms of liminal processes, objects and subjects
- …circumspectly unravels the relationship between the camera, its subject and its maker through various techniques of disclosure
- subtle graduations of influence we might steal over our environment
- sculptural presentation and the power relationship between object and viewer
- wishful longing for an impossibly romantic reality
- understand our subjective positions in the world
- nihilistically adopting and discarding personas
- apocalyptic vision
- new form of narrative
- outlines its plans to appropriate high culture
- control methodologies
- control desires and control solutions and their own absurdities
- offer us a space for reflection
- take up directly what might be called the beauty issue
- micro-symmetry within the motifs and a macro-dissymmetry in the composition
- elevation of artifice
- paintings are rather screens
- remnants of another image of a natural world
- distance between signs and their signifiers
- pointers to particular epistemic systems, to sciences for example, which have drifted too far to be accessible any longer
Hotlinking: an exhibition of images from the Tate with immunity from seizure
Hotlinking is a mini-exhibition put together from highlights of Van Doesburg and the International Avant-Garde: Constructing a New World, showing at the Tate Modern from 04 Feb 2010 until 16 May 2010. The works have been generously loaned by overseas collectors and international museums and are presented here via the Immunity from Seizure page of the Freedom of Information section of the Tate website. This show, in its current form, will last for as long as the images remain there – when either the page is updated with new content, or sooner if the Tate decides to restrict hotlink access to their images. After which time each work, as access is denied, will be replaced by a browser generated broken image icon and continue indefinitely. I think I speak for Van Doesburg when I say that this icon retains the spirit of Elementarism; the dynamism of its diagonal lines reaffirming that he was in the right in his argument with Mondrian over them, and a worthy addition to the show and his legacy.
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